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TIME: Almanac 1995
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TIME Almanac 1995.iso
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100493
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10049927.000
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1994-03-25
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<text id=93TT0347>
<title>
Oct. 04, 1993: A New Man In The Armchair
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Oct. 04, 1993 On The Trail Of Terror
</history>
<article>
<source>Time Magazine</source>
<hdr>
TELEVISION, Page 81
A New Man In The Armchair
</hdr>
<body>
<p>After Alistair Cooke's long tenure, Russell Baker takes over
this week as host of Masterpiece Theatre
</p>
<p>By MARTHA DUFFY
</p>
<p> The news came as a cultural shock. After nearly 22 years and
some 800 programs, during which he had occupied 65 different
armchairs in clubby library sets, Alistair Cooke, 84, was retiring
as host of Masterpiece Theatre. For millions of PBS viewers,
Cooke was like the guest they always hoped to meet at a party--charming, informed but never overbearing as he steered them
urbanely through such series as Upstairs, Downstairs, I, Claudius
and The Jewel in the Crown, discoursing on Edwardian manners,
the English public school or life in the sunlit empire.
</p>
<p> Who could possibly replace such an institution? Various names
were bruited in the rumor mill--stage actors, a few Hollywood
eminences, novelist John Updike. But the winner turned out to
be a dark horse: Pulitzer-prizewinning memoirist and New York
Times columnist Russell Baker, 68, who originally declined the
offer by saying, "I don't want to be the man who succeeds Alistair
Cooke. I want to be the man who succeeds the man who succeeds
Alistair Cooke." Baker was won over by the zeal of Christopher
Lydon, a newscaster at Boston's WGBH, the station that produces
Masterpiece Theatre. Lydon, now a candidate for mayor of Boston,
considered the aw-shucks Baker "a great television event waiting
to happen. He's Cooper, Ray Milland, all the great movie faces
wrapped into one."
</p>
<p> Baker--no Cooper, but a classic Yank with a long, friendly,
shovel-shaped face--begins his new assignment on Sunday with
Selected Exits, a biographical tribute to Welsh author and raconteur
Gwyn Thomas, starring Anthony Hopkins. Already Baker has found
that the job is like sailing a ship in a very small bottle.
"Most of the time you have two or 2 1/2 minutes," he says. "That's
one page, double-spaced. My columns are three pages. On TV,
that would be like being Hubert Humphrey--Will this guy ever
shut up?"
</p>
<p> Baker does his own research at home in Leesburg, Virginia, and
will journey to Boston several times a year to tape the introductions.
The programs imported for Masterpiece Theatre run in Britain
with no introduction; the notion of a host is American. "We
like to be told what's coming," says Baker. "It reassures us."
An advance look at his first efforts reveals that the onscreen
Baker is indeed reassuring--an intelligent, amiable presence,
with a healthy respect for the camera. ``You have to do your
damnedest to be yourself," he says. "It's hard, like having
your picture taken."
</p>
<p> Cooke had an uncanny knack for seeming to settle into the viewer's
living room. He credited it to the fact that he was one of the
few TV performers to memorize his lines and speak without a
TelePrompTer. Baker will stick with the TelePrompTer, thank
you. "Alistair was amazing because he appeared so spontaneous,"
he says. "I'm so uneasy now, I just couldn't do it."
</p>
<p> Some followers of Masterpiece Theatre fear that its peak is
past, that new offerings lack the luster of the glory days in
the '70s and '80s. But Baker thinks of the series as a necessary
antidote to insulting commercial programming: "The week all
three networks had Amy Fisher shows on revealed absolute contempt
for the human race." And so, as he turns out his single page
for each week, he humbly paraphrases Peter De Vries' acid remark
about Henry James and hopes that he will not chew more than
he bit off.
</p>
</body>
</article>
</text>